9 hours ago
If I ever mess up at all let me know.
I'm double checking it, but I feel like I still have a strong chance of me messing up.
The Spaceship
While Jesika was talking, Bea side-stepped towards the shoe rack and began to try on shoes. She chose to do so while continuing to stand, which posed a struggle. Occasionally, she would nod at Jesika, to let her know she was still listening. Sonny, on the other hand, was sitting on the ground, still trying out shoe sizes determining one that would work well. Eventually he did. He seemed to be listening despite not showing any reaction nor adding any input.
---
Beatrix "Bea" Montgomery:
Eventually she gets her shoes on, she straightens back up and smooths her jumpsuit out. She turns toward Jesika. "Is this real?" Bea asks. She begins to feel her calm act being to crack under the weight of the circumstances. "Actually, don't answer that, I don't think I would like the answer either way." She turns on her heel and walks up to the next door before turning to look at Sonny.
Beatrix "Bea" Montgomery:
"Any bets on what they'll tell us, kid?" she grins, finding the situation strangely comedic in a twisted way. "They tell us, 'Welcome to the station, now get to work,' " she says while lightly chuckling.
Sonny Sunlight:
"I don't know, but I know that I'm going right away to ask questions. I'm going to go first. It's only right since I woke up first—and I want to do it alone, if they'll let me. I'm sorry, but I don't know you yet, and we'll get better answers if we ask separately anyways," he rises from sitting immediately. Standing shorter than Bea, he tries to meet her eyes briefly, almost poised to shake her hand, but does not. Sonny leaves the room first and abandons the other two.
As the door closes, Bea looks back at Jesika, hands still clasped in front of herself, standing upright, and with a tired smile. Jesika nods at Bea before Bea makes the first strides to the door. Upon approach, the door automatically opens—The first door that Bea has opened so far. She advances through. The door closes and leaves Jesika behind, though it seems likely she will stay posted there.
As Bea enters the next room she cannot help but stop to take note of the unfamiliar environment. This room is quite large. 'One of the ship's main hallways' is what Jesika called it, didn't she? From one wall to another is perhaps the same length as a three-lane-road. It is quite boring looking. All of the floors are paneled tiles, all of the ceilings are paneled. Even the walls are paneled, though it is a different type, metal and sturdy-looking, with screws that keep them in place. Tube lights light the entire hall. It's all just grey with some basic texture on the tiling. Nothing seems particularly glossy or polished.
The monotony of the architecture is broken with occasional decorative alcoves. Looking at the other wall, you spot the following: In one alcove, to the left of your vision, is a blue vending machine and a green vending machine side by side. No idea what they say. To the right of that is another 'door', much like the one you exited. To the right of that is another alcove where there are two metal cabinets, one painted blue, the other painted red.
Near the red cabinet is an elderly man. His hand is pressed flat against the door of the red, metal cabinet. He's staring at you currently with dead eyes. He's a light-skinned man and his face is dotted with liver spots. He has a scraggly grey beard and head hair. His attire is that of a purple jumpsuit with grey overalls, bright yellow galoshes and gloves, and also a purple pillbox cap with a brim. He has a janitorial cart with a large water bucket and large trash bags. He takes his hand off of the cabinet door suddenly. Slowly he grabs his mop off the cart and begins mopping the floor. As he does, he stops looking at you, only looking at the floor.
To the right is where Jesika said was "the cafeteria", though it is not clear how long the hallway goes on for. To the left the hallway hits a wall, then branches into two smaller hallways. There is also no evidence of where Sonny has gone, except that he certainly is gone.
Just then—You hear an extremely high-pitched masculine voice scream out, "HELLLLLLLLLLP MEEEEEEE!!! HE'S GOING TO GET ME!!!" The sound is coming from behind the 'door' on the other side of the hall. The old man seems to perk up a bit upon hearing it, when he looks at you to see if you had heard it too, he does not seem too concerned. He gives you a nonchalant shrug before continuing to mop. "HEEEELLLLLLLLLLLLPPP MEEEEEE!!! HELP! HELP!! HELPPP!!! HEEEEELPPP MEEEEEE!!" continues the voice behind the door.
To be Continued
I'm double checking it, but I feel like I still have a strong chance of me messing up.
The Spaceship
While Jesika was talking, Bea side-stepped towards the shoe rack and began to try on shoes. She chose to do so while continuing to stand, which posed a struggle. Occasionally, she would nod at Jesika, to let her know she was still listening. Sonny, on the other hand, was sitting on the ground, still trying out shoe sizes determining one that would work well. Eventually he did. He seemed to be listening despite not showing any reaction nor adding any input.
---
Beatrix "Bea" Montgomery:
Eventually she gets her shoes on, she straightens back up and smooths her jumpsuit out. She turns toward Jesika. "Is this real?" Bea asks. She begins to feel her calm act being to crack under the weight of the circumstances. "Actually, don't answer that, I don't think I would like the answer either way." She turns on her heel and walks up to the next door before turning to look at Sonny.
Beatrix "Bea" Montgomery:
"Any bets on what they'll tell us, kid?" she grins, finding the situation strangely comedic in a twisted way. "They tell us, 'Welcome to the station, now get to work,' " she says while lightly chuckling.
Sonny Sunlight:
"I don't know, but I know that I'm going right away to ask questions. I'm going to go first. It's only right since I woke up first—and I want to do it alone, if they'll let me. I'm sorry, but I don't know you yet, and we'll get better answers if we ask separately anyways," he rises from sitting immediately. Standing shorter than Bea, he tries to meet her eyes briefly, almost poised to shake her hand, but does not. Sonny leaves the room first and abandons the other two.
As the door closes, Bea looks back at Jesika, hands still clasped in front of herself, standing upright, and with a tired smile. Jesika nods at Bea before Bea makes the first strides to the door. Upon approach, the door automatically opens—The first door that Bea has opened so far. She advances through. The door closes and leaves Jesika behind, though it seems likely she will stay posted there.
As Bea enters the next room she cannot help but stop to take note of the unfamiliar environment. This room is quite large. 'One of the ship's main hallways' is what Jesika called it, didn't she? From one wall to another is perhaps the same length as a three-lane-road. It is quite boring looking. All of the floors are paneled tiles, all of the ceilings are paneled. Even the walls are paneled, though it is a different type, metal and sturdy-looking, with screws that keep them in place. Tube lights light the entire hall. It's all just grey with some basic texture on the tiling. Nothing seems particularly glossy or polished.
The monotony of the architecture is broken with occasional decorative alcoves. Looking at the other wall, you spot the following: In one alcove, to the left of your vision, is a blue vending machine and a green vending machine side by side. No idea what they say. To the right of that is another 'door', much like the one you exited. To the right of that is another alcove where there are two metal cabinets, one painted blue, the other painted red.
Near the red cabinet is an elderly man. His hand is pressed flat against the door of the red, metal cabinet. He's staring at you currently with dead eyes. He's a light-skinned man and his face is dotted with liver spots. He has a scraggly grey beard and head hair. His attire is that of a purple jumpsuit with grey overalls, bright yellow galoshes and gloves, and also a purple pillbox cap with a brim. He has a janitorial cart with a large water bucket and large trash bags. He takes his hand off of the cabinet door suddenly. Slowly he grabs his mop off the cart and begins mopping the floor. As he does, he stops looking at you, only looking at the floor.
To the right is where Jesika said was "the cafeteria", though it is not clear how long the hallway goes on for. To the left the hallway hits a wall, then branches into two smaller hallways. There is also no evidence of where Sonny has gone, except that he certainly is gone.
Just then—You hear an extremely high-pitched masculine voice scream out, "HELLLLLLLLLLP MEEEEEEE!!! HE'S GOING TO GET ME!!!" The sound is coming from behind the 'door' on the other side of the hall. The old man seems to perk up a bit upon hearing it, when he looks at you to see if you had heard it too, he does not seem too concerned. He gives you a nonchalant shrug before continuing to mop. "HEEEELLLLLLLLLLLLPPP MEEEEEE!!! HELP! HELP!! HELPPP!!! HEEEEELPPP MEEEEEE!!" continues the voice behind the door.
To be Continued
